New Work

Reflecting on Wabi-Sabi: New Painting

New Work

Reflecting on Wabi-Sabi: New Painting

Imperfect. Incomplete. Impermanent. Words not often associated with beauty. In western culture, beauty is usually associated with new, symmetrical and pristine.

For those unfamiliar with the concept of wabi-sabi, it is the Japanese aesthetic centred on the acceptance of transience and imperfection. It is a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay.

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A good example of this embodiment may be seen in certain styles of Japanese pottery.  In the Japanese tea ceremony, the pottery items used are often rustic and simple-looking –  tea bowls are often deliberately chipped or nicked at the bottom. To take it further, there is a practice called kintsuigi which is the Japanese art of repairing broken pottery by mending the breakage with dust made of gold, silver or platinum. This practice highlights the history of the object as opposed to trying to hide it.

It’s true in western culture, there are those who find beauty in old objects – antiques. The difference though, is that with antiques, there is an attempt to restore the object to its original state – in other words, make it new again.

The worldview of wabi-sabi is a very appealing one – it is a different perspective. What if we truly embraced the passage of time as a good thing? The word “decay” is associated as a negative concept. But with aging, there are gifts  – wisdom and experience quickly come to mind.

This line of thinking and questioning culminated in my latest work Reflections. The texture of the painting is rough and certainly imperfect. I delved into colours that intoned the passage of time, simplicity and are associated with the natural.

Finally, I practiced kintsuigi – where the texture broke into natural cracks, I applied gold.

Let us know what you think and feel free to share out.

The full painting found here.

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